| Friday Mosque of Fahraj represents an important evolutionary stage in mosque construction |
|
|
|
The mosque primarily consists of an internal courtyard, vaulted sanctuary and arcades, and a clay minaret. It is largely built of sun-dried, unfired clay tiles and mud bricks. Its modest internal courtyard is lined with clay tiles and contains a now dry central ablution tank. The internal facades are near symmetrical and consist of three arched bays defined by thick piers, partly relieved by vertical niches. The court's roofline is uninterrupted and a decorative cornice emphasizes horizontality that is challenged by the mosque's minaret and arched silhouette of barrel vaults over the jamaat khana (main prayer hall). The mosque, like its contemporaries at Damghan and Nayin, features the traditional Iranian barrel vault supported on squat rectangular brick piers. The roofing system is made up of five linear vaults oriented east-west, three of which are interrupted by the central courtyard. Two additional vaults orient north-south, and the roof extends to the mosque's northwest corner. The minaret added to the mosque later in the tenth century is also one of the earliest extant examples of its type, with the minaret at Nayin. The minaret is built as a tapering cylinder with an internal spiral staircase lit by slits that form a regular pattern on the minaret's external elevation. The projecting balcony is crowned by triangular crenellations with a pronounced batter (a slope, as of the outer face of a wall, that recedes from bottom to top), accentuating the minaret's verticality. The Fahraj minaret is one of the first known Iranian minarets after the minaret at Siraf, and has played a pivotal role in developing the cylindrical minaret form, that was later carried far with Seljuk conquests to Syria, Anatolia, Iraq, Afghanistan and India. The mosque design's simplicity and lack of ornamentation have denied it the public attention and preservation efforts deserved by a building emblematic of so pivotal a stage in Iranian Islamic architecture and heritage. The mosque represents a little documented innovation in Islamic architecture that was soon lost to the dominant four-iwan prototype patronized by the Seljuks in the eleventh century. (Sources: Islamic Architecture Community)
Subscribe to our RSS feed to stay in touch and receive all of TT updates right in your feed reader |
|||


















